CHAPTER X

CHILD FRIENDS

Mr. Dodgson's fondness for children—Miss Isabel Standen—Puzzles—"Me and Myself"—A double acrostic—"Father William"—Of drinking healths—Kisses by post—Tired in the face—The unripe plum—Eccentricities—"Sylvie and Bruno"—"Mr. Dodgson is going on well."

This chapter, and the next will deal with Mr. Dodgson's friendships with children. It would have been impossible to arrange them in chronological sequence in the earlier part of this book, and the fact that they exhibit a very important and distinct side of his nature seems to justify me in assigning them a special and individual position.

For the contents of these two chapters, both my readers and myself owe a debt of gratitude to those child-friends of his, without whose ever-ready help this book could never have been written.

From very early college days began to emerge that beautiful side of Lewis Carroll's character which afterwards was to be, next to his fame as an author, the one for which he was best known—his attitude towards children, and the strong attraction they had for him. I shall attempt to point out the various influences which led him in this direction; but if I were asked for one comprehensive word wide enough to explain this tendency of his nature, I would answer unhesitatingly—Love. My readers will remember a beautiful verse in "Sylvie and Bruno"; trite though it is, I cannot forbear to quote it—

Say, whose is the skill that paints valley and hill,

Like a picture so fair to the sight?

That flecks the green meadow with sunshine and shadow,

Till the little lambs leap with delight?

'Tis a secret untold to hearts cruel and cold,

Though 'tis sung by the angels above,

In notes that ring clear for the ears that can hear,

And the name of the secret is Love!

That "secret"—an open secret for him—explains this side of his character. As he read everything in its light, so it is only in its light that we can properly understand him. I think that the following quotation from a letter to the Rev. F. H. Atkinson, accompanying a copy of "Alice" for his little daughter Gertrude, sufficiently proves the truth of what I have just stated:—

Many thanks to Mrs. Atkinson and to you for the sight of the tinted photograph of your Gertrude. As you say, the picture speaks for itself, and I can see exactly what sort of a child she is, in proof of which I send her my love and a kiss herewith. It is possible I may be the first (unseen) gentleman from whom she has had so ridiculous a message; but I can't say she is the first unseen child to whom I have sent one! I think the most precious message of the kind I ever got from a child I never saw (and never shall see in this world) was to the effect that she liked me when she read about Alice, "but please tell him, whenever I read that Easter letter he sent me I do love him!" She was in a hospital, and a lady friend who visited there had asked me to send the letter to her and some other sick children.

And now as to the secondary causes which attracted him to children. First, I think children appealed to him because he was pre-eminently a teacher, and he saw in their unspoiled minds the best material for him to work upon. In later years one of his favourite recreations was to lecture at schools on logic; he used to give personal attention to each of his pupils, and one can well imagine with what eager anticipation the children would have looked forward to the visits of a schoolmaster who knew how to make even the dullest subjects interesting and amusing.

Again, children appealed to his æsthetic faculties, for he was a keen admirer of the beautiful in every form. Poetry, music, the drama, all delighted him, but pictures more than all put together. I remember his once showing me "The Lady with the Lilacs," which Arthur Hughes had painted for him, and how he dwelt with intense pleasure on the exquisite contrasts of colour which it contained—the gold hair of a girl standing out against the purple of lilac-blossom. But with those who find in such things as these a complete satisfaction of their desire for the beautiful he had no sympathy; for no imperfect representations of life could, for him, take the place of life itself, life as God has made it—the babbling of the brook, the singing of the birds, the laughter and sweet faces of the children. And yet, recognising, as he did, what Mr. Pater aptly terms "the curious perfection of the human form," in man, as in nature, it was the soul that attracted him more than the body. His intense admiration, one might almost call it adoration, for the white innocence and uncontaminated spirituality of childhood emerges most clearly in "Sylvie and Bruno." He says very little of the personal beauty of his heroine; he might have asked, with Mr. Francis Thompson—

How can I tell what beauty is her dole,

Who cannot see her countenance for her soul?

So entirely occupied is he with her gentleness, her pity, her sincerity, and her love.

Again, the reality of children appealed strongly to the simplicity and genuineness of his own nature. I believe that he understood children even better than he understood men and women; civilisation has made adult humanity very incomprehensible, for convention is as a veil which hides the divine spark that is in each of us, and so this strange thing has come to be, that the imperfect mirrors perfection more completely than the perfected, that we see more of God in the child than in the man.

And in those moments of depression of which he had his full share, when old age seemed to mock him with all its futility and feebleness, it was the thought that the children still loved him which nerved him again to continue his life-work, which renewed his youth, so that to his friends he never seemed an old man. Even the hand of death itself only made his face look more boyish—the word is not too strong. "How wonderfully young your brother looks!" were the first words the doctor said, as he returned from the room where Lewis Carroll's body lay, to speak to the mourners below. And so he loved children because their friendship was the true source of his perennial youth and unflagging vigour. This idea is expressed in the following poem—an acrostic, which he wrote for a friend some twenty years ago:—

Around my lonely hearth, to-night,

Ghostlike the shadows wander:

Now here, now there, a childish sprite,

Earthborn and yet as angel bright,

Seems near me as I ponder.

 

Gaily she shouts: the laughing air

Echoes her note of gladness—

Or bends herself with earnest care

Round fairy-fortress to prepare

Grim battlement or turret-stair—

In childhood's merry madness!

 

New raptures still hath youth in store:

Age may but fondly cherish

Half-faded memories of yore—

Up, craven heart! repine no more!

Love stretches hands from shore to shore:

Love is, and shall not perish!

His first child-friend, so far as I know, was Miss Alice Liddell, the little companion whose innocent talk was one of the chief pleasures of his early life at Oxford, and to whom he told the tale that was to make him famous. In December, 1885, Miss M.E. Manners presented him with a little volume, of which she was the authoress, "Aunt Agatha Ann and Other Verses," and which contained a poem (which I quoted in Chapter VI.), about "Alice." Writing to acknowledge this gift, Lewis Carroll said:—

Permit me to offer you my sincere thanks for the very sweet verses you have written about my dream-child (named after a real Alice, but none the less a dream-child) and her Wonderland. That children love the book is a very precious thought to me, and, next to their love, I value the sympathy of those who come with a child's heart to what I have tried to write about a child's thoughts. Next to what conversing with an angel might be—for it is hard to imagine it—comes, I think, the privilege of having a real child's thoughts uttered to one. I have known some few real children (you have too, I am sure), and their friendship is a blessing and a help in life.

img541.png

 

ALICE LIDDELL.

From a photograph

by Lewis Carroll.

 

It is interesting to note how in "Sylvie and Bruno" his idea of the thoughts of a child has become deeper and more spiritual. Yet in the earlier tale, told "all in a golden afternoon," to the plash of oars and the swish of a boat through the waters of Cherwell or Thames, the ideal child is strangely beautiful; she has all Sylvie's genuineness and honesty, all her keen appreciation of the interest of life; only there lacks that mysterious charm of deep insight into the hidden forces of nature, the gentle power that makes the sky "such a darling blue," which almost links Sylvie with the angels.

Another of Lewis Carroll's early favourites was Miss Alexandra (Xie) Kitchin, daughter of the Dean of Durham. Her father was for fifteen years the Censor of the unattached members of the University of Oxford, so that Mr. Dodgson had plenty of opportunities of photographing his little friend, and it is only fair to him to say that he did not neglect them.

It would be futile to attempt even a bare list of the children whom he loved, and who loved him; during forty years of his life he was constantly adding to their number. Some remained friends for life, but in a large proportion of cases the friendship ended with the end of childhood. To one of those few, whose affection for him had not waned with increasing years, he wrote:—

I always feel specially grateful to friends who, like you, have given me a child-friendship and a woman—friendship. About nine out of ten, I think, of my child-friendships get ship-wrecked at the critical point, "where the stream and river meet," and the child-friends, once so affectionate, become uninteresting acquaintances, whom I have no wish to set eyes on again.

img542.png

 

XIE KITCHIN.

From a photograph

by Lewis Carroll.

 

These friendships usually began all very much in the same way. A chance meeting on the sea-shore, in the street, at some friend's house, led to conversation; then followed a call on the parents, and after that all sorts of kindnesses on Lewis Carroll's part, presents of books, invitations to stay with him at Oxford, or at Eastbourne, visits with him to the theatre. For the amusement of his little guests he kept a large assortment of musical-boxes, and an organette which had to be fed with paper tunes. On one occasion he ordered about twelve dozen of these tunes "on approval," and asked one of the other dons, who was considered a judge of music, to come in and hear them played over. In addition to these attractions there were clock-work bears, mice, and frogs, and games and puzzles in infinite variety.

One of his little friends, Miss Isabel Standen, has sent me the following account of her first meeting with him:—

We met for the first time in the Forbury Gardens, Reading. He was, I believe, waiting for a train. I was playing with my brothers and sisters in the Gardens. I remember his taking me on his knee and showing me puzzles, one of which he refers to in the letter (given below. This puzzle was, by the way, a great favourite of his; the problem is to draw three interlaced squares without going over the same lines twice, or taking the pen off the paper), which is so thoroughly characteristic of him in its quaint humour:—

"The Chestnuts, Guildford,

August 22, 1869.

 

My Dear Isabel,—Though I have only been acquainted with you for fifteen minutes, yet, as there is no one else in Reading I have known so long, I hope you will not mind my troubling you. Before I met you in the Gardens yesterday I bought some old books at a shop in Reading, which I left to be called for, and had not time to go back for them. I didn't even remark the name of the shop, but I can tell where it was, and if you know the name of the woman who keeps the shop, and would put it into the blank I have left in this note, and direct it to her I should be much obliged ... A friend of mine, called Mr. Lewis Carroll, tells me he means to send you a book. He is a very dear friend of mine. I have known him all my life (we are the same age) and have never left him. Of course he was with me in the Gardens, not a yard off—even while I was drawing those puzzles for you. I wonder if you saw him?

 

Your fifteen-minute friend,

 

C.L. Dodgson.

 

Have you succeeded in drawing the three squares?"

Another favourite puzzle was the following—I give it in his own words:—

A is to draw a fictitious map divided into counties.

 

B is to colour it (or rather mark the counties with names of

colours) using as few colours as possible.

 

Two adjacent counties must have different colours.

 

A's object is to force B to use as many colours as possible.

 

How many can he force B to use?

One of his most amusing letters was to a little girl called Magdalen, to whom he had given a copy of his "Hunting of the Snark":—

Christ Church,

December 15, 1875.

 

My dear Magdalen,—I want to explain to you why I did not call yesterday. I was sorry to miss you, but you see I had so many conversations on the way. I tried to explain to the people in the street that I was going to see you, but they wouldn't listen; they said they were in a hurry, which was rude. At last I met a wheelbarrow that I thought would attend to me, but I couldn't make out what was in it. I saw some features at first, then I looked through a telescope, and found it was a countenance; then I looked through a microscope, and found it was a face! I thought it was father like me, so I fetched a large looking-glass to make sure, and then to my great joy I found it was me. We shook hands, and were just beginning to talk, when myself came up and joined us, and we had quite a pleasant conversation. I said, "Do you remember when we all met at Sandown?" and myself said, "It was very jolly there; there was a child called Magdalen," and me said, "I used to like her a little; not much, you know—only a little." Then it was time for us to go to the train, and who do you think came to the station to see us off? You would never guess, so I must tell you. They were two very dear friends of mine, who happen to be here just now, and beg to be allowed to sign this letter as your affectionate friends,

 

Lewis Carroll and C.L. Dodgson.

Another child-friend, Miss F. Bremer, writes as follows:—

Our acquaintance began in a somewhat singular manner. We were playing on the Fort at Margate, and a gentleman on a seat near asked us if we could make a paper boat, with a seat at each end, and a basket in the middle for fish! We were, of course, enchanted with the idea, and our new friend—after achieving the feat—gave us his card, which we at once carried to our mother. He asked if he might call where we were staying, and then presented my elder sister with a copy of "Alice in Wonderland," inscribed "From the Author." He kindly organised many little excursions for us—chiefly in the pursuit of knowledge. One memorable visit to a light house is still fresh in our memories.

It was while calling one day upon Mrs. Bremer that he scribbled off the following double acrostic on the names of her two daughters—

      

        DOUBLE ACROSTIC—FIVE LETTERS.

 

        Two little girls near London dwell,

        More naughty than I like to tell.

 

                         1.

        Upon the lawn the hoops are seen:

        The balls are rolling on the green.       T  ur  F

 

                         2.

        The Thames is running deep and wide:

        And boats are rowing on the tide.         R ive  R

 

                         3.

        In winter-time, all in a row,

        The happy skaters come and go.            I  c   E

 

                         4.

        "Papa!" they cry, "Do let us stay!"

        He does not speak, but says they may.     N   o  D

 

                         5.

        "There is a land," he says, "my dear,

        Which is too hot to skate, I fear."       A fric A

      

At Margate also he met Miss Adelaide Paine, who afterwards became one of his greatest favourites. He could not bear to see the healthy pleasures of childhood spoiled by conventional restraint. "One piece of advice given to my parents," writes Miss Paine, "gave me very great glee, and that was not to make little girls wear gloves at the seaside; they took the advice, and I enjoyed the result." Apropos of this I may mention that, when staying at Eastbourne, he never went down to the beach without providing himself with a supply of safety-pins. Then if he saw any little girl who wanted to wade in the sea, but was afraid of spoiling her frock, he would gravely go up to her and present her with a safety-pin, so that she might fasten up her skirts out of harm's way.

Tight boots were a great aversion of his, especially for children. One little girl who was staying with him at Eastbourne had occasion to buy a new pair of boots. Lewis Carroll gave instructions to the bootmaker as to how they were to be made, so as to be thoroughly comfortable, with the result that when they came home they were more useful than ornamental, being very nearly as broad as they were long! Which shows that even hygienic principles may be pushed too far.

The first meeting with Miss Paine took place in 1876. When Lewis Carroll returned to Christ Church he sent her a copy of "The Hunting of the Snark," with the following acrostic written in the fly-leaf:—

      

'A re you deaf, Father William?' the young man said,

'D id you hear what I told you just now?

 E xcuse me for shouting! Don't waggle your head

 L ike a blundering, sleepy old cow!

 A little maid dwelling in Wallington Town,

 I s my friend, so I beg to remark:

 D o you think she'd be pleased if a book were sent down

 E ntitled "The Hunt of the Snark?"'

 

'P ack it up in brown paper!' the old man cried,

'A nd seal it with olive-and-dove.

 I command you to do it!' he added with pride,

'N or forget, my good fellow, to send her beside

 E aster Greetings, and give her my love.'

      

This was followed by a letter, dated June 7, 1876:—

My dear Adelaide,—Did you try if the letters at the beginnings of the lines about Father William would spell anything? Sometimes it happens that you can spell out words that way, which is very curious.

 

I wish you could have heard him when he shouted out "Pack it up in brown paper!" It quite shook the house. And he threw one of his shoes at his son's head (just to make him attend, you know), but it missed him.

 

He was glad to hear you had got the book safe, but his eyes filled with tears as he said, "I sent her my love, but she never—" he couldn't say any more, his mouth was so full of bones (he was just finishing a roast goose).

Another letter to Miss Paine is very characteristic of his quaint humour:—

Christ Church, Oxford,

March 8, 1880.

 

My dear Ada,—(Isn't that your short name? "Adelaide" is all very well, but you see when one's dreadfully busy one hasn't time to write such long words—particularly when it takes one half an hour to remember how to spell it—and even then one has to go and get a dictionary to see if one has spelt it right, and of course the dictionary is in another room, at the top of a high bookcase—where it has been for months and months, and has got all covered with dust—so one has to get a duster first of all, and nearly choke oneself in dusting it—and when one has made out at last which is dictionary and which is dust, even then there's the job of remembering which end of the alphabet "A" comes—for one feels pretty certain it isn't in the middle—then one has to go and wash one's hands before turning over the leaves—for they've got so thick with dust one hardly knows them by sight—and, as likely as not, the soap is lost, and the jug is empty, and there's no towel, and one has to spend hours and hours in finding things—and perhaps after all one has to go off to the shop to buy a new cake of soap—so, with all this bother, I hope you won't mind my writing it short and saying, "My dear Ada"). You said in your last letter you would like a likeness of me: so here it is, and I hope you will like it—I won't forget to call the next time but one I'm in Wallington.

 

Your very affectionate friend,

 

Lewis Carroll.

It was quite against Mr. Dodgson's usual rule to give away photographs of himself; he hated publicity, and the above letter was accompanied by another to Mrs. Paine, which ran as follows:—

I am very unwilling, usually, to give my photograph, for I don't want people, who have heard of Lewis Carroll, to be able to recognise him in the street—but I can't refuse Ada. Will you kindly take care, if any of your ordinary acquaintances (I don't speak of intimate friends) see it, that they are not told anything about the name of "Lewis Carroll"?

He even objected to having his books discussed in his presence; thus he writes to a friend:—

Your friend, Miss—was very kind and complimentary about my books, but may I confess that I would rather have them ignored? Perhaps I am too fanciful, but I have somehow taken a dislike to being talked to about them; and consequently have some trials to bear in society, which otherwise would be no trials at all.... I don't think any of my many little stage-friends have any shyness at all about being talked to of their performances. They thoroughly enjoy the publicity that I shrink from.

The child to whom the three following letters were addressed, Miss Gaynor Simpson, was one of Lewis Carroll's Guildford friends. The correct answer to the riddle propounded in the second letter is "Copal":—

December 27, 1873.

 

My dear Gaynor,—My name is spelt with a "G," that is to say "Dodgson ." Any one who spells it the same as that wretch (I mean of course the Chairman of Committees in the House of Commons) offends me deeply , and for ever! It is a thing I can forget, but never can forgive! If you do it again, I shall call you "'aynor." Could you live happy with such a name?

 

As to dancing, my dear, I never dance, unless I am allowed to do it in my own peculiar way. There is no use trying to describe it: it has to be seen to be believed. The last house I tried it in, the floor broke through. But then it was a poor sort of floor—the beams were only six inches thick, hardly worth calling beams at all: stone arches are much more sensible, when any dancing, of my peculiar kind, is to be done. Did you ever see the Rhinoceros, and the Hippopotamus, at the Zoölogical Gardens, trying to dance a minuet together? It is a touching sight.

 

Give any message from me to Amy that you think will be most likely to surprise her, and, believe me,

 

Your affectionate friend,

 

Lewis Carroll.

 

 

My dear Gaynor,—So you would like to know the answer to that riddle? Don't be in a hurry to tell it to Amy and Frances: triumph over them for a while!

 

My first lends its aid when you plunge into trade.

Gain. Who would go into trade if there were no gain in it?

 

My second in jollifications—

Or [The French for "gold"—] Your jollifications would

be very limited if you had no money.

 

My whole, laid on thinnish, imparts a neat finish

To pictorial representations.

 

Gaynor. Because she will be an ornament to the Shakespeare Charades—only she must be "laid on thinnish," that is, there musn't be too much of her.

 

Yours affectionately,

 

C. L. Dodgson.

 

 

My dear Gaynor,—Forgive me for having sent you a sham answer to begin with.

 

My first—Sea. It carries the ships of the merchants.

 

My second—Weed. That is, a cigar, an article much used in jollifications.

 

My whole—Seaweed. Take a newly painted oil—picture; lay it on its back on the floor, and spread over it, "thinnish," some wet seaweed. You will find you have "finished" that picture.

 

Yours affectionately,

 

C.L. Dodgson.

Lewis Carroll during the last fifteen years of his life always spent the Long Vacation at Eastbourne; in earlier times, Sandown, a pleasant little seaside resort in the Isle of Wight, was his summer abode. He loved the sea both for its own sake and because of the number of children whom he met at seaside places. Here is another "first meeting"; this time it is at Sandown, and Miss Gertrude Chataway is the narrator:—

I first met Mr. Lewis Carroll on the sea-shore at Sandown in the Isle of Wight, in the summer of 1875, when I was quite a little child.

 

We had all been taken there for change of air, and next door there was an old gentlemen—to me at any rate he seemed old—who interested me immensely. He would come on to his balcony, which joined ours, sniffing the sea-air with his head thrown back, and would walk right down the steps on to the beach with his chin in air, drinking in the fresh breezes as if he could never have enough. I do not know why this excited such keen curiosity on my part, but I remember well that whenever I heard his footstep I flew out to see him coming, and when one day he spoke to me my joy was complete.

 

Thus we made friends, and in a very little while I was as familiar with the interior of his lodgings as with our own.

 

I had the usual child's love for fairy-tales and marvels, and his power of telling stories naturally fascinated me. We used to sit for hours on the wooden steps which led from our garden on to the beach, whilst he told the most lovely tales that could possibly be imagined, often illustrating the exciting situations with a pencil as he went along.

 

One thing that made his stories particularly charming to a child was that he often took his cue from her remarks—a question would set him off on quite a new trail of ideas, so that one felt that one had somehow helped to make the story, and it seemed a personal possession It was the most lovely nonsense conceivable, and I naturally revelled in it. His vivid imagination would fly from one subject to another, and was never tied down in any way by the probabilities of life.

 

To me it was of course all perfect, but it is astonishing that he never seemed either tired or to want other society. I spoke to him once of this since I have been grown up, and he told me it was the greatest pleasure he could have to converse freely with a child, and feel the depths of her mind.

 

He used to write to me and I to him after that summer, and the friendship, thus begun, lasted. His letters were one of the greatest joys of my childhood.

 

I don't think that he ever really understood that we, whom he had known as children, could not always remain such. I stayed with him only a few years ago, at Eastbourne, and felt for the time that I was once more a child. He never appeared to realise that I had grown up, except when I reminded him of the fact, and then he only said, "Never mind: you will always be a child to me, even when your hair is grey."

Some of the letters, to which Miss Chataway refers in these reminiscences, I am enabled, through her kindness, to give below:—

Christ Church, Oxford,

October 13, 1875.

 

My dear Gertrude,—I never give birthday presents, but you see I do sometimes write a birthday letter : so, as I've just arrived here, I am writing this to wish you many and many a happy return of your birthday to-morrow. I will drink your health, if only I can remember, and if you don't mind—but perhaps you object? You see, if I were to sit by you at breakfast, and to drink your tea, you wouldn't like that, would you? You would say "Boo! hoo! Here's Mr. Dodgson's drunk all my tea, and I haven't got any left!" So I am very much afraid, next time Sybil looks for you, she'll find you sitting by the sad sea-wave, and crying "Boo! hoo! Here's Mr. Dodgson has drunk my health, and I haven't got any left!" And how it will puzzle Dr. Maund, when he is sent for to see you! "My dear Madam, I'm very sorry to say your little girl has got no health at all! I never saw such a thing in my life!" "Oh, I can easily explain it!" your mother will say. "You see she would go and make friends with a strange gentleman, and yesterday he drank her health!" "Well, Mrs. Chataway," he will say, "the only way to cure her is to wait till his next birthday, and then for her to drink his health."

 

And then we shall have changed healths. I wonder how you'll like mine! Oh, Gertrude, I wish you wouldn't talk such nonsense!...

 

Your loving friend,

 

Lewis Carroll.

 

 

Christ Church, Oxford,

Dec. 9, 1875.

 

My dear Gertrude,—This really will not do, you know, sending one more kiss every time by post: the parcel gets so heavy it is quite expensive. When the postman brought in the last letter, he looked quite grave. "Two pounds to pay, sir!" he said. "Extra weight, sir!" (I think he cheats a little, by the way. He often makes me pay two pounds , when I think it should be pence). "Oh, if you please, Mr. Postman!" I said, going down gracefully on one knee (I wish you could see me go down on one knee to a postman—it's a very pretty sight), "do excuse me just this once! It's only from a little girl!"

 

"Only from a little girl!" he growled. "What are little girls made of?" "Sugar and spice," I began to say, "and all that's ni—" but he interrupted me. "No! I don't mean that. I mean, what's the good of little girls, when they send such heavy letters?" "Well, they're not much good, certainly," I said, rather sadly.

 

"Mind you don't get any more such letters," he said, "at least, not from that particular little girl. I know her well, and she's a regular bad one!" That's not true, is it? I don't believe he ever saw you, and you're not a bad one, are you? However, I promised him we would send each other very few more letters—"Only two thousand four hundred and seventy, or so," I said. "Oh!" he said, "a little number like that doesn't signify. What I meant is, you mustn't send many ."

 

So you see we must keep count now, and when we get to two thousand four hundred and seventy, we mustn't write any more, unless the postman gives us leave.

 

I sometimes wish I was back on the shore at Sandown; don't you?

 

Your loving friend,

 

Lewis Carroll.

 

Why is a pig that has lost its tail like a little girl on the sea-shore?

 

Because it says, "I should like another tale, please!"

 

 

Christ Church, Oxford,

July 21, 1876.

 

My dear Gertrude,—Explain to me how I am to enjoy Sandown without you . How can I walk on the beach alone? How can I sit all alone on those wooden steps? So you see, as I shan't be able to do without you, you will have to come. If Violet comes, I shall tell her to invite you to stay with her, and then I shall come over in the Heather-Bell and fetch you.

 

If I ever do come over, I see I couldn't go back the same day, so you will have to engage me a bed somewhere in Swanage; and if you can't find one, I shall expect you to spend the night on the beach, and give up your room to me. Guests of course must be thought of before children; and I'm sure in these warm nights the beach will be quite good enough for you. If you did feel a little chilly, of course you could go into a bathing-machine, which everybody knows is very comfortable to sleep in—you know they make the floor of soft wood on purpose. I send you seven kisses (to last a week) and remain

 

Your loving friend,

 

Lewis Carroll.

 

 

Christ Church, Oxford,

October 28, 1876.

 

My dearest Gertrude,—You will be sorry, and surprised, and puzzled, to hear what a queer illness I have had ever since you went. I sent for the doctor, and said, "Give me some medicine, for I'm tired." He said, "Nonsense and stuff! You don't want medicine: go to bed!" I said, "No; it isn't the sort of tiredness that wants bed. I'm tired in the face." He looked a little grave, and said, "Oh, it's your nose that's tired: a person often talks too much when he thinks he nose a great deal." I said, "No; it isn't the nose. Perhaps it's the hair." Then he looked rather grave, and said, "Now I understand: you've been playing too many hairs on the piano-forte." "No, indeed I haven't!" I said, "and it isn't exactly the hair: it's more about the nose and chin." Then he looked a good deal graver, and said, "Have you been walking much on your chin lately?" I said, "No." "Well!" he said, "it puzzles me very much. Do you think that it's in the lips?" "Of course!" I said. "That's exactly what it is!" Then he looked very grave indeed, and said, "I think you must have been giving too many kisses." "Well," I said, "I did give one kiss to a baby child, a little friend of mine." "Think again," he said; "are you sure it was only one?" I thought again, and said, "Perhaps it was eleven times." Then the doctor said, "You must not give her any more till your lips are quite rested again." "But what am I to do?" I said, "because you see, I owe her a hundred and eighty-two more." Then he looked so grave that the tears ran down his cheeks, and he said, "You may send them to her in a box." Then I remembered a little box that I once bought at Dover, and thought I would some day give it to some little girl or other. So I have packed them all in it very carefully. Tell me if they come safe, or if any are lost on the way.

 

 

Reading Station,

April 13, 1878.

 

My dear Gertrude,—As I have to wait here for half an hour, I have been studying Bradshaw (most things, you know, ought to be studied: even a trunk is studded with nails), and the result is that it seems I could come, any day next week, to Winckfield, so as to arrive there about one; and that, by leaving Winckfield again about half-past six, I could reach Guildford again for dinner. The next question is, How far is it from Winckfield to Rotherwick? Now do not deceive me, you wretched child! If it is more than a hundred miles, I can't come to see you, and there is no use to talk about it. If it is less, the next question is, How much less? These are serious questions, and you must be as serious as a judge in answering them. There mustn't be a smile in your pen, or a wink in your ink (perhaps you'll say, "There can't be a wink in ink: but there may be ink in a wink"—but this is trifling; you mustn't make jokes like that when I tell you to be serious) while you write to Guildford and answer these two questions. You might as well tell me at the same time whether you are still living at Rotherwick—and whether you are at home—and whether you get my letter—and whether you're still a child, or a grown-up person—and whether you're going to the seaside next summer—and anything else (except the alphabet and the multiplication table) that you happen to know. I send you 10,000,000 kisses, and remain.

 

Your loving friend,

 

C. L. Dodgson.

 

 

The Chestnuts, Guildford,

April 19, 1878.

 

My dear Gertrude,—I'm afraid it's "no go"—I've had such a bad cold all the week that I've hardly been out for some days, and I don't think it would be wise to try the expedition this time, and I leave here on Tuesday. But after all, what does it signify? Perhaps there are ten or twenty gentlemen, all living within a few miles of Rotherwick, and any one of them would do just as well! When a little girl is hoping to take a plum off a dish, and finds that she can't have that one, because it's bad or unripe, what does she do? Is she sorry, or disappointed? Not a bit! She just takes another instead, and grins from one little ear to the other as she puts it to her lips! This is a little fable to do you good; the little girl means you—the bad plum means me—the other plum means some other friend—and all that about the little girl putting plums to her lips means—well, it means—but you know you can't expect every bit of a fable to mean something! And the little girl grinning means that dear little smile of yours, that just reaches from the tip of one ear to the tip of the other!

 

Your loving friend,

 

C.L. Dodgson.

 

I send you 4—3/4 kisses.

The next letter is a good example of the dainty little notes Lewis Carroll used to scribble off on any scrap of paper that lay to his hand:—

Chestnuts, Guildford,

January 15, 1886.

 

Yes, my child, if all be well, I shall hope, and you may fear, that the train reaching Hook at two eleven, will contain

 

Your loving friend,

 

C.L. Dodgson.

Only a few years ago, illness prevented him from fulfilling his usual custom of spending Christmas with his sisters at Guildford. This is the allusion in the following letter:—

My dear old Friend,—(The friendship is old, though the child is young.) I wish a very happy New Year, and many of them, to you and yours; but specially to you, because I know you best and love you most. And I pray God to bless you, dear child, in this bright New Year, and many a year to come. ... I write all this from my sofa, where I have been confined a prisoner for six weeks, and as I dreaded the railway journey, my doctor and I agreed that I had better not go to spend Christmas with my sisters at Guildford. So I had my Christmas dinner all alone, in my room here, and (pity me, Gertrude!) it wasn't a Christmas dinner at all—I suppose the cook thought I should not care for roast beef or plum pudding, so he sent me (he has general orders to send either fish and meat, or meat and pudding) some fried sole and some roast mutton! Never, never have I dined before, on Christmas Day, without plum pudding. Wasn't it sad? Now I think you must be content; this is a longer letter than most will get. Love to Olive. My clearest memory of her is of a little girl calling out "Good-night" from her room, and of your mother taking me in to see her in her bed, and wish her good-night. I have a yet clearer memory (like a dream of fifty years ago) of a little bare-legged girl in a sailor's jersey, who used to run up into my lodgings by the sea. But why should I trouble you with foolish reminiscences of mine that cannot interest you?

 

Yours always lovingly,

 

C. L. Dodgson.

It was a writer in The National Review who, after eulogising the talents of Lewis Carroll, and stating that he would never be forgotten, added the harsh prophecy that "future generations will not waste a single thought upon the Rev. C.L. Dodgson."

If this prediction is destined to be fulfilled, I think my readers will agree with me that it will be solely on account of his extraordinary diffidence about asserting himself. But such an unnatural division of Lewis Carroll, the author, from the Rev. C.L. Dodgson, the man, is forced in the extreme. His books are simply the expression of his normal habit of mind, as these letters show. In literature, as in everything else, he was absolutely natural.

To refer to such criticisms as this (I am thankful to say they have been very few) is not agreeable; but I feel that it is owing to Mr. Dodgson to do what I can to vindicate the real unity which underlay both his life and all his writings.

Of many anecdotes which might be adduced to show the lovable character of the man, the following little story has reached me through one of his child-friends:—

My sister and I [she writes] were spending a day of delightful sightseeing in town with him, on our way to his home at Guildford, where we were going to pass a day or two with him. We were both children, and were much interested when he took us into an American shop where the cakes for sale were cooked by a very rapid process before your eyes, and handed to you straight from the cook's hands. As the preparation of them could easily be seen from outside the window, a small crowd of little ragamuffins naturally assembled there, and I well remember his piling up seven of the cakes on one arm, and himself taking them out and doling them round to the seven hungry little youngsters. The simple kindness of his act impressed its charm on his child-friends inside the shop as much as on his little stranger friends outside.

It was only to those who had but few personal dealings with him that he seemed stiff and "donnish"; to his more intimate acquaintances, who really understood him, each little eccentricity of manner or of habits was a delightful addition to his charming and interesting personality. That he was, in some respects, eccentric cannot be denied; for instance he hardly ever wore an overcoat, and always wore a tall hat, whatever might be the climatic conditions. At dinner in his rooms small pieces of cardboard took the place of table-mats; they answered the purpose perfectly well, he said, and to buy anything else would be a mere waste of money. On the other hand, when purchasing books for himself, or giving treats to the children he loved, he never seemed to consider expense at all.

He very seldom sat down to write, preferring to stand while thus engaged. When making tea for his friends, he used, in order, I suppose, to expedite the process, to walk up and down the room waving the teapot about, and telling meanwhile those delightful anecdotes of which he had an inexhaustible supply.

Great were his preparations before going a journey; each separate article used to be carefully wrapped up in a piece of paper all to itself, so that his trunks contained nearly as much paper as of the more useful things. The bulk of the luggage was sent on a day or two before by goods train, while he himself followed on the appointed day, laden only with his well-known little black bag, which he always insisted on carrying himself.

He had a strong objection to staring colours in dress, his favourite combination being pink and grey. One little girl who came to stay with him was absolutely forbidden to wear a red frock, of a somewhat pronounced hue, while out in his company.

At meals he was very abstemious always, while he took nothing in the middle of the day except a glass of wine and a biscuit. Under these circumstances it is not very surprising that the healthy appetites of his little friends filled him with wonder, and even with alarm. When he took a certain one of them out with him to a friend's house to dinner, he used to give the host or hostess a gentle warning, to the mixed amazement and indignation of the child, "Please be careful, because she eats a good deal too much."

Another peculiarity, which I have already referred to, was his objection to being invited to dinners or any other social gatherings; he made a rule of never accepting invitations. "Because you have invited me, therefore I cannot come," was the usual form of his refusal. I suppose the reason of this was his hatred of the interference with work which engagements of this sort occasion.

He had an extreme horror of infection, as will appear from the following illustration. Miss Isa Bowman and her sister, Nellie, were at one time staying with him at Eastbourne, when news came from home that their youngest sister had caught the scarlet fever. From that day every letter which came from Mrs. Bowman to the children was held up by Mr. Dodgson, while the two little girls, standing at the opposite end of the room, had to read it as best they could. Mr. Dodgson, who was the soul of honour, used always to turn his head to one side during these readings, lest he might inadvertently see some words that were not meant for his eyes.

Some extracts from letters of his to a child-friend, who prefers to remain anonymous, follow:

November 30, 1879.

 

I have been awfully busy, and I've had to write heaps of letters—wheelbarrows full, almost. And it tires me so that generally I go to bed again the next minute after I get up: and sometimes I go to bed again a minute before I get up! Did you ever hear of any one being so tired as that? ...

 

 

November 7, 1882.

 

My dear E—, How often you must find yourself in want of a pin! For instance, you go into a shop, and you say to the man, "I want the largest penny bun you can let me have for a halfpenny." And perhaps the man looks stupid, and doesn't quite understand what you mean. Then how convenient it is to have a pin ready to stick into the back of his hand, while you say, "Now then! Look sharp, stupid!"... and even when you don't happen to want a pin, how often you think to yourself, "They say Interlacken is a very pretty place. I wonder what it looks like!" (That is the place that is painted on this pincushion.)

 

When you don't happen to want either a pin or pictures, it may just remind you of a friend who sometimes thinks of his dear little friend E—, and who is just now thinking of the day he met her on the parade, the first time she had been allowed to come out alone to look for him....

 

 

December 26, 1886.

 

My dear E—, Though rushing, rapid rivers roar between us (if you refer to the map of England, I think you'll find that to be correct), we still remember each other, and feel a sort of shivery affection for each other....

 

 

March 31, 1890.

 

I do sympathise so heartily with you in what you say about feeling shy with children when you have to entertain them! Sometimes they are a real terror to me—especially boys: little girls I can now and then get on with, when they're few enough. They easily become "de trop." But with little boys I'm out of my element altogether. I sent "Sylvie and Bruno" to an Oxford friend, and, in writing his thanks, he added, "I think I must bring my little boy to see you." So I wrote to say "don't," or words to that effect: and he wrote again that he could hardly believe his eyes when he got my note. He thought I doted on all children. But I'm not omnivorous!—like a pig. I pick and choose....

 

You are a lucky girl, and I am rather inclined to envy you, in having the leisure to read Dante—I have never read a page of him; yet I am sure the "Divina Commedia" is one of the grandest books in the world—though I am not sure whether the reading of it would raise one's life and give it a nobler purpose, or simply be a grand poetical treat. That is a question you are beginning to be able to answer: I doubt if I shall ever (at least in this life) have the opportunity of reading it; my life seems to be all torn into little bits among the host of things I want to do! It seems hard to settle what to do first. One piece of work, at any rate, I am clear ought to be done this year, and it will take months of hard work: I mean the second volume of "Sylvie and Bruno." I fully mean , if I have life and health till Xmas next, to bring it out then. When one is close on sixty years old, it seems presumptuous to count on years and years of work yet to be done....

 

She is rather the exception among the hundred or so of child-friends who have brightened my life. Usually the child becomes so entirely a different being as she grows into a woman, that our friendship has to change too: and that it usually does by gliding down from a loving intimacy into an acquaintance that merely consists of a smile and a bow when we meet!...

 

 

January 1, 1895.

 

... You are quite correct in saying it is a long time since you have heard from me: in fact, I find that I have not written to you since the 13th of last November. But what of that? You have access to the daily papers. Surely you can find out negatively, that I am all right! Go carefully through the list of bankruptcies; then run your eye down the police cases; and, if you fail to find my name anywhere, you can say to your mother in a tone of calm satisfaction, "Mr. Dodgson is going on well."